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The Man Who Knew Infinity

An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a…

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Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Rise of the black British actor in America; The gaze of "Foxcatcher"; Chris Kyle was a hate-filled killer; Sophia Takal on "The Lego Movie"; Sorry celebrities, the TCA does not clap.

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Lincoln: "It's true because it works"

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At the heart of Steven Spielberg's "Lincoln" is a quiet scene between President Abraham Lincoln (Daniel Day-Lewis) and two young men, Samuel Beckwith (Adam Driver) and David Homer Bates (Drew Sease), in an otherwise empty telegraph cipher office. Lincoln has to make a crucial decision: Does he consider a peace proposal from a Confederate delegation on its way to Washington, and thus perhaps immediately end the bloody Civil War that has claimed the lives of more than half a million Americans, knowing that it would doom his attempt to pass the Thirteenth Amendment to the Constitution, officially banning slavery in the United States? Or does he try to legally solidify and extend his Emancipation Proclamation by getting the Thirteenth Amendment passed during a narrow window of opportunity (during the lame duck session of Congress between his re-election and second inauguration) at the cost of extending the war?

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