In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



A fascinating piece of work that approaches “Citizenfour” in its deconstruction of governmental failure and the systems underneath the war on terror that are not…



Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#260 September 2, 2015

Sheila writes: Neurologist and author Oliver Sacks died on August 30 at the age of 82. The obituary in the New York Times gives an overview of this man's extraordinary career and contributions. The site Open Culture has a small post about Oliver Sacks' final Tweet which was a link to a video of a flash mob orchestra gathering to play Beethoven's "Ode to Joy" in a large public square. Sacks' Tweet read: "A beautiful way to perform one of the world's great musical treasures." His curiosity and appreciation of life in all its variety remained intact until the very end. Here is the video of that flash mob which is, indeed, "beautiful."

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#215 April 23, 2014

Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from I look forward to seeing you there!

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Lynn Shelton: Reclaiming the Rom-Com


For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.

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