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The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

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Tusk

It's not surprising that Smith's characterizations and dialogue lack subtlety given the type of broad comedy that Smith has practically made his brand. But somehow,…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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A British boutique festival without an identity crisis

May Contain Spoilers

Britain is overrun with film festivals. I wouldn't be shocked to learn we have more per hundred miles per year than any nation on Earth. But there is room for more, provided they are carefully conceived, intelligently programmed and don't overreach themselves in their early years. ID Fest, which ran this year between May 24 and 27, is a fine example.

Beginning in 2010, with a year off in 2011, ID Fest is "a boutique festival", with each instalment programmed around a specific theme branching from the larger theme of identity - hence "ID" Fest. As such, it separates itself from Britain's large international festivals; small, un-themed local festivals; and genre fests, of which there seem to be more each month. The first ID Fest investigated what it means to be English (as opposed to British) but the second had a far broader focus, befitting its ambitions to become a truly international festival. In 2012, its theme was heroism.

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