Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Britain is overrun with film festivals. I wouldn't be shocked to learn we have more per hundred miles per year than any nation on Earth. But there is room for more, provided they are carefully conceived, intelligently programmed and don't overreach themselves in their early years. ID Fest, which ran this year between May 24 and 27, is a fine example.
Beginning in 2010, with a year off in 2011, ID Fest is "a boutique festival", with each instalment programmed around a specific theme branching from the larger theme of identity - hence "ID" Fest. As such, it separates itself from Britain's large international festivals; small, un-themed local festivals; and genre fests, of which there seem to be more each month. The first ID Fest investigated what it means to be English (as opposed to British) but the second had a far broader focus, befitting its ambitions to become a truly international festival. In 2012, its theme was heroism.