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Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

'Closer' looks and 'Sideways' glances

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Q. I saw both "Closer" and "Sideways" recently. I know that both of these films got rave reviews, but I left both feeling disappointed and wondering "what am I missing?" I didn't like any of the characters in "Closer" and just saw a narcissistic emptiness. I had no idea why they did what they did.

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Up-and-comer tells tales of disaffected youth with grace

TORONTO, Ont. -- This kid David Gordon Green is 29 years old, and he is a great filmmaker. He walked onto the stage at the Toronto Film Festival wearing jeans, a T-shirt and flip-flops, and said he'd gotten worked up over the premiere of his new film and stubbed his little toe on his coffee table and broken it. "It's twice the size it was an hour ago," he said morosely, peering down at the injured digit. And then he showed us "Undertow," and this film is a masterpiece.

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