Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
From the Grand Poobah: Our Far-Flung Correspondent Gerardo Valero writes: During Ebertfest, Monica and I were able to shoot a few videos which I downloaded in you tube and which I think you all may enjoy. Since she was the one to shoot most of the panel videos; they mostly consist of my own participation but there's plenty of stuff for everybody (our multiple presentations, dinner at the Green Room and what have you) I apologize in advance for the quality of the material. I tell Monica she would be fired from filming a Bourne movie because her cinematography is too shaky. Go HERE to see all the videos.Marie writes: this one is my favorite! Roger and Chaz at Stake n' Shake!
Q. I read your Great Movie review of "Magnolia" and asked myself why the film was titled like that and thought of all the different characters, all beautiful blossoms, alone, but connected at the root of one great magnolia. I see "Magnolia" as a story about redemption. The film so closely observes its sinners, and we suffer as we watch them trapped in their self-made cages of misery. But all along, a change is coming; from the very outset, something is in the air. The religious allegory here is about receiving a second chance.
From Agatha Jadwiszczok, New York, NY: