In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_2j2jeurpvhqksybohmpsq01jil5

Listen Up Philip

The terrific cast all delves into the material full-bore, which contributes to its peculiar resonance. Perry may hate everyone and everything, but in making a…

Thumb_10687421_10152289281917007_4858446204490388004_o

Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Primary_ebert_tribute_ampav_photo

Events About Roger Ebert Set For This Week at Cannes

This is the week that memories of Roger Ebert will resonate even more poignantly at his favorite film festival, Cannes. It starts with the Cannes Classics screening of "Life Itself" on Monday, May 19th, at 5pm in Bunuel, but that's just the beginning. On Wednesday, May 21st at 11am, Steve James and Chaz Ebert will sit down in the American Pavilion to discuss their festival hit and how important it is to them to see it play at Cannes. And then, two days later on Thursday, May 22nd at 3pm, many of Roger's colleagues will speak at "The Roger Ebert Critics Panel," including moderator Michael Phillips (Chicago Tribune), Eric Kohn (Indiewire), AA Dowd (The Onion AV Club), Wesley Morris (Grantland), Keith Simanton (IMDB), and Alison Willmore (Buzzfeed).

Julie Sisk, the Director of the American Pavilion echoed all of our excitement that these once-in-a-lifetime events were happening at "a place that Roger clearly knew so well and loved. Everyone who has been going to Cannes for any length of time associates Roger with Cannes and probably with The American Pavilion, as he moderated so many panels and In Conversations there over the years."

Steve James, the director of "Life Itself," also knows the connection between Roger and Cannes, telling us, "The film's selection is a thrilling first for me and for Kartemquin. Beyond that, its also a statement about what Roger meant to the festival. He loved Cannes and Cannes loved him. We were so inspired by his writing about the festival, that we've created a new section in the film devoted to his adventures there over the years. Roger was a student of great cinema and of the dreams and spectacle that for him defined Cannes. We can't wait to share his story and our film with everyone there."

Finally, there's Chaz Ebert, who told us, "I will miss his joy at the festival and how he thrilled at each new discovery. Roger was one of the best friends of the festival and I thank the Cannes Film Festival for honoring him through the exhibition of his life's story."

If you're at Cannes, it's Roger's week. Don't miss it.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

"1941": An Appreciation and Interview with Bob Gale

An appreciation of "1941" and interview with Bob Gale.

NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”

A review of Paul Thomas Anderson's "Inherent Vice" from the 2014 New York Film Festival.

Interview: Cary Elwes on the Lasting Power of “The Princess Bride”

An interview with Cary Elwes about "The Princess Bride."

Reveal Comments
comments powered by Disqus