The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
Selections from Roger Ebert's Cannes coverage…
Flashback #5: The Festival Comes Into Focus
It was halfway into the second week of Roger's fifth year at Cannes that the critic felt he had finally got "the festival into focus." This magnificent essay written at the 1980 festival details how "unreality is the only reality" on the Riviera, epitomized by the phony press credentials issued out by Roger's beloved friend, Billy "Silver Dollar" Baxter. "Baxter’s credentials have become widely respected and observed at Cannes simply because they look good: They have no official validity at all but you wear them around your neck on a chain and you look important at a festival where appearances are everything. Baxter has figured out the rules of festival gamesmanship and has simply bypassed them. It is a stroke of simple genius."
Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.
The film that Fox packaged with "Star Wars" to get theaters to play a little space opera no one had heard of was "The...
An article about Spike Lee's Honorary Oscar at the 2015 AMPAS Governors Awards.