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The Age of Adaline

Though it's hampered by rather bloodless lead performances, this story of an ageless woman and her two great loves finds its tone in its second…

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Little Boy

It’s meant to be a tale of uplift for faith-based audiences, but instead wears viewers down with a heavy-handed narrative, an overbearing score and voiceover…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cannes Flashback: Hollywood Plays It Safe, Sorry

Selections from Roger Ebert's Cannes coverage…

Flashback #7: Hollywood Plays It Safe, Sorry

Film festivals provided Roger with an annual escape from the formulas that plagued so many Hollywood pictures. This superb essay, written during the 1992 festival, juxtaposes two pictures that take strikingly different approaches to similar subject manner: Billie August's Palme d'Or-winner, "Best Intentions," and Ron Howard's unimaginative blockbuster, "Far and Away." His closing line is especially chilling, providing readers with a cautionary message that will resonate throughout the ages: "A society that treats its citizens like children is sooner or later going to find itself without adults."


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