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The Transporter Refueled

The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.

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War Room

War Room preaches that we have no call to be righteous and judge others, yet the film itself is righteous and judgmental in the extreme.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cannes Flashback: Hollywood Plays It Safe, Sorry

Selections from Roger Ebert's Cannes coverage…

Flashback #7: Hollywood Plays It Safe, Sorry

Film festivals provided Roger with an annual escape from the formulas that plagued so many Hollywood pictures. This superb essay, written during the 1992 festival, juxtaposes two pictures that take strikingly different approaches to similar subject manner: Billie August's Palme d'Or-winner, "Best Intentions," and Ron Howard's unimaginative blockbuster, "Far and Away." His closing line is especially chilling, providing readers with a cautionary message that will resonate throughout the ages: "A society that treats its citizens like children is sooner or later going to find itself without adults."


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