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John Wick

The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.

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Low Down

Preiss' movie does a consistently excellent job of explaining the lure of jazz, and the psychology of addicts, their enablers and their children, without explaining…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cannes Flashback: Hollywood Plays It Safe, Sorry

Selections from Roger Ebert's Cannes coverage…

Flashback #7: Hollywood Plays It Safe, Sorry

Film festivals provided Roger with an annual escape from the formulas that plagued so many Hollywood pictures. This superb essay, written during the 1992 festival, juxtaposes two pictures that take strikingly different approaches to similar subject manner: Billie August's Palme d'Or-winner, "Best Intentions," and Ron Howard's unimaginative blockbuster, "Far and Away." His closing line is especially chilling, providing readers with a cautionary message that will resonate throughout the ages: "A society that treats its citizens like children is sooner or later going to find itself without adults."


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