In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



The best thing about Victoria isn’t actually its technical prowess—it’s the lead performance from the mesmerizing Laia Costa as the title character.


Knock Knock

As a piece of social satire, Knock Knock winds up being not just toothless but anticlimactic.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cannes Flashback: France's Depardieu A One-Man Festival

Selections from Roger Ebert's Cannes coverage...

Flashback #3: France's Depardieu A One-Man Festival

One of the great pleasures of Roger's writing was his remarkable ability to make the reader feel as if they were sitting across the table from anyone he happened to encounter, whether it be a sit-down interview or, in this case, a coincidental meeting that left him and Chaz utterly delighted. Gerard Depardieu has rarely been more charming that he is in this droll vignette. I'm sure several flight attendants would agree.

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A NYFF report on Don Cheadle's directorial debut, "Miles Ahead."

FX’s “Fargo” Maintains High Quality in Second Chapter

A review of season two of FX's "Fargo."

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