The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
For the remainder of this year's Cannes Film Festival, we'll be highlighting a selection from Roger's Cannes coverage each day, providing you with luminous snapshots of the critic's many invaluable weeks spent in the midday sun.
Flashback #1: A Study in the Art of Being Rude
Language barriers, cinematic delirium and general cluelessness are merely a few of the factors that can cause a Cannes press conference to steadily devolve into a free-for-all. This first selection from the 1981 festival hilariously details the outrageous disorder that engulfs a conference for Bob Rafelson's "The Postman Always Rings Twice," starring Jack Nicholson and Jessica Lange. Roger is clearly appalled by the chaos and has a blast reporting on it. When long-suffering moderator Richard Roud exclaims, "Ladies and gentlemen, please!" as the paparazzi raids the starry panel, Roger half-quips, "He has been the festival translator for years and must know that none of the paprazzi fall into those two categories."
A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.
Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".
An interview with Michael Shannon on Freeheld, 99 Homes, Boardwalk Empire, and more.
A NYFF report on new films from Chantal Akerman and Michel Gondry.