Imagine an "R" rated "Lassie" by way of "Spartacus." That's Kornél Mundruczó's "White God," a brutal but stirring fantasy about street dogs rising up against…
For the remainder of this year's Cannes Film Festival, we'll be highlighting a selection from Roger's Cannes coverage each day, providing you with luminous snapshots of the critic's many invaluable weeks spent in the midday sun.
Flashback #1: A Study in the Art of Being Rude
Language barriers, cinematic delirium and general cluelessness are merely a few of the factors that can cause a Cannes press conference to steadily devolve into a free-for-all. This first selection from the 1981 festival hilariously details the outrageous disorder that engulfs a conference for Bob Rafelson's "The Postman Always Rings Twice," starring Jack Nicholson and Jessica Lange. Roger is clearly appalled by the chaos and has a blast reporting on it. When long-suffering moderator Richard Roud exclaims, "Ladies and gentlemen, please!" as the paparazzi raids the starry panel, Roger half-quips, "He has been the festival translator for years and must know that none of the paprazzi fall into those two categories."
A film teacher looks back on "The Breakfast Club," partly through the eyes of her students.
As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...
A piece on the use of animals in film in light of "White God".
The conversation about Woody Allen's personal and professional lives intertwining continues, but to what end?