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The Bye Bye Man

The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.

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The Book of Love

The feature debut of director and co-writer Bill Purple does not feature a single authentic moment. Imperfect would actually be a step up.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Ben Cannes 2015

The following table of contents compiles coverage from RogerEbert.com of Cannes 2015, featuring essays and videos from Ben Kenigsberg, freelance film critic and contributor to RogerEbert.com. Ben saw dozens of films this year, and covered most of them, including major prize winner "Son of Saul". He also attended a panel on empathy featuring Chaz Ebert, and reported back for us, along with a recap of a centennial tribute to Orson Welles.

Alterna-Cannes

Cannes 2015: "In the Shadow of Women," "Son of Saul," The Orson Welles Centennial

Cannes 2015: "My Golden Days," "By Sidney Lumet," "Irrational Man"

Cannes 2015: "Disorder," "A Perfect Day," "Arabian Nights"

Cannes 2015 Panel: "What Does Empathy Look Like on the Big Screen?" 

Cannes 2015: "Dégradé," "Marguerite & Julien," "The Grief of Others," "Arabian Nights, Volume 2" and a showcase for diversity

Cannes 2015: "Hitchock/Truffaut," "The Green Room," "Love"

Cannes 2015: Manoel de Oliveira's "Visit, or Memories and Confessions"

Cannes 2015: Palme predictions

Cannes 2015: Jacques Audiard's "Dheepan" wins Palme d'Or

Video: Cannes Roundtable Discussion


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