Some of it is too broad, and I wish it dug a little deeper at times, but this is one of those rare inspirational films…
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.
Chaz is the Publisher of RogerEbert.com and a regular contributor to the site, writing about film, festivals, politics, and life itself.
Matt Zoller Seitz is the Editor-in-Chief of RogerEbert.com, TV critic for New York Magazine, the creator of many video essays about film history and style, a finalist for the Pulitzer Prize in criticism, and the author of The Wes Anderson Collection. His writing on film and TV has appeared in The New York Times, Salon, New York Press, The Star-Ledger and Dallas Observer. (Banner illustration by Max Dalton)
CANNES, France If Stephen Hawking had not already used it, A Brief History of Time would be the perfect title for a book about the movies. No other medium allows us to look more carefully into the human face, and to reflect on the way it records the passage of time.
For a newspaper, there is an element of irony involved in writing about dirty words. You may just have come from seeing "Glengarry Glen Ross," with its litanies and riffs of four -letter words, but in this newspaper, the closest you will get to them is a "- - - -." Apart from certain exceptions such as the testimony in the Thomas-Hill hearings, newspapers have not lowered the barricades against expletives.
When "The Man in the Moon" made my list of the best films of 1991, it was directed by Robert Mulligan.
Columbia Pictures shouted "fire!" in its own crowded theaters.
When the lights go down at the beginning of "Gremlins 2: The New
NEW YORK (AP) - The National Society of Film Critics on Sunday selected "The Hurt Locker," a film about an elite Army bomb squad unit that works in Iraq to defuse improvised explosives while under the threat of insurgents, as the best picture of 2009.
by Roger Ebert
by Roger Ebert
On the one hand, John Frankenheimer is of course pleased that the Cold War seems to be over. On the other hand, the timing was disastrous for his filmmaking career. After the success of "52 Pickup" (1986), he made "Dead Bang" (1989), an unhappy experience marked by sharp differences with the star, Don Johnson, and then in 1989, began shooting "The Fourth War," a splendid political thriller starring Roy Scheider as a hot-headed U.S. Army officer assigned to a sensitive border post opposite Soviet troops.
The questions about Elia Kazan's honorary Oscar have no simple