American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…
Once long ago, when theaters were not so obsessed with turning over their audiences, a feature film might be accompanied by a cartoon, a newsreel, and a Selected Short Subject.
The short might be a Robert Benchley lecture. At the time such shorts were enormously popular; a little murmur of anticipation might run through the audience. In Benchley's case they fit nicely with his writing career for The New Yorker.
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An FFC comments on Roger Moore's best James Bond film, "The Spy Who Loved Me."
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
The best television programs of 2014.