The Good Dinosaur
A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…
Once long ago, when theaters were not so obsessed with turning over their audiences, a feature film might be accompanied by a cartoon, a newsreel, and a Selected Short Subject.
The short might be a Robert Benchley lecture. At the time such shorts were enormously popular; a little murmur of anticipation might run through the audience. In Benchley's case they fit nicely with his writing career for The New Yorker.
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Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.