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Unlocking the Cage

As its title suggests, Unlocking the Cage is a kind of advocacy journalism, not an attempt to weigh the cons as well as the pros…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Teaserama!

Each week inside The Ebert Club, we aim to amuse and delight our readers, not just inform them; as anyone can do that. Instead, we aim higher and reach for the best - and if we fail, we compromise and reach for the best of the worst, or at the very least the last thing you'd ever expect to find. Behold a "naughty" b-rated trailer covered in 1950's cheese! Go here to join the Club and explore a truly eclectic assortment of finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders.

Go here to join the Ebert Club. Your subscription helps support the Ebert Club Newsletter, the Far-Flung Correspondents and The Demanders.

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Memoirs of a Geisha, Part II: How Are Geisha or Nerd Stereotypes Harmful?

Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.

Cannes 2016: "Graduation," "The Neon Demon"

Reviews from Cannes of Cristian Mungiu's "Graduation" and Nicolas Winding Refn's "The Neon Demon."

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