X-Men: Apocalypse is a confused, bloated, mess of a film.
Each week inside The Ebert Club, we aim to amuse and delight our readers, not just inform them; as anyone can do that. Instead, we aim higher and reach for the best - and if we fail, we compromise and reach for the best of the worst, or at the very least the last thing you'd ever expect to find. Behold a "naughty" b-rated trailer covered in 1950's cheese! Go here to join the Club and explore a truly eclectic assortment of finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders.
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Separating the artist from the art isn't as easy as it sounds.
This message came to me from a reader named Peter Svensland. He and a fr...
Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.
Reviews from Cannes of Cristian Mungiu's "Graduation" and Nicolas Winding Refn's "The Neon Demon."