Fast & Furious 6
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Gray's "The Immigrant" maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof's "Manuscripts Don’t Burn" dramatizes the inside of the cruel…
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
In announcing my annual Outguess Ebert contest, I used a cocky headline: Outguess Ebert? I may have them all right, I followed by writing: "This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly."
Every year it is the same. I come out of the gate filled with certainty, and as the deadline draws near I begin to falter. A guy has an ear to the ground. This year I now suspect I may have been mistaken in two categories.
For Best Picture, I joined nearly the whole world and countless awards shows by predicting "Argo," the thriller about how Hollywood outsmarted Iran during the hostage crisis. It was also my choice of the year's best movie.
Now, more and more, from many different quarters, I hear affection for "Silver Linings Playbook," People tell me, I have a brother-in- law exactly like that." I sense a groundswell.
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My original choice for Best Actress was Emmanuelle Riva, for "Amour." I finally decided on Jennifer Lawrence, Now, as more and more people get the chance to see Michael Haneke's "Amour" and Riva's extraordinary work as a proud lady's disintegration under Alzheimer's, I think sentiment is shifting. She may become the oldest nominee in history to win.
It's too late to change my ballot, I'm just sayin'.
Entries are now being accepted. Go here:
www.suntimes.com/outguessebert
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