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Man of Steel

The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…

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Fill the Void

Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Thumbnails 6/19/2013

Suicide glamour and magazine-shaming; how American textbooks dumb down Vietnam; remembering the late investigative journalist Michael Hastings; why sex on the first date is not…

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Before Midnight Interviews

Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…

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Jason Reitman in conversation

Jason Reitman is not only a gifted director, but a forthright and thoughtful one. After three features ("Thank You for Smoking," "Juno" and "Up in the Air"), he has achieved, at the age of 34, firm standing on the A List.

He visited Chicago on Jan. 29 to appear on the Oprah program, and stopped off at my house on his way to the airport. Having only just discovered the video capability of a new camera, I took these videos. They are hand-held, shaky and need editing. But what Reitman says is perceptive and worth sharing.

Also in the room: My wife Chaz, off camera to the left. Reitman's wife, the actress Michelle Lee, to his right. Chicago publicist Janet Hillebrand on the sofa in front of the windows. The voice on my MacBook is sometimes heard.

The sculpture is "Warrior Woman," which Chaz and found in a London gallery that holds an exhibition called "Not in the Spring Exhibition," for works not accepted in the annual show of new works by the Royal Academy of Arts. In other words, Refuseniks. Jason and Michelle are standing in front of an abstract by the British expressionist Gillian Ayres. RE • • • • • • • • • • • • • • •

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