In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_f8f20egntzlhnjjletts89sx5lt

Magic in the Moonlight

While Allen’s new picture, "Magic In The Moonlight," isn’t even close to being a disaster (for that, see, well, "Scoop"), I don’t think it’s unreasonable…

Thumb_hercules

Hercules

Dwayne Johnson tries, but he’s surrounded by poor CGI and a terrible adaptation of yet another comic book. Ian McShane steals what little movie there…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Primary_jason_michellereitman-thumb-350x262-17284

Jason Reitman in conversation

Jason Reitman is not only a gifted director, but a forthright and thoughtful one. After three features ("Thank You for Smoking," "Juno" and "Up in the Air"), he has achieved, at the age of 34, firm standing on the A List.

He visited Chicago on Jan. 29 to appear on the Oprah program, and stopped off at my house on his way to the airport. Having only just discovered the video capability of a new camera, I took these videos. They are hand-held, shaky and need editing. But what Reitman says is perceptive and worth sharing.

Also in the room: My wife Chaz, off camera to the left. Reitman's wife, the actress Michelle Lee, to his right. Chicago publicist Janet Hillebrand on the sofa in front of the windows. The voice on my MacBook is sometimes heard.

The sculpture is "Warrior Woman," which Chaz and found in a London gallery that holds an exhibition called "Not in the Spring Exhibition," for works not accepted in the annual show of new works by the Royal Academy of Arts. In other words, Refuseniks. Jason and Michelle are standing in front of an abstract by the British expressionist Gillian Ayres. RE • • • • • • • • • • • • • • •

Popular Blog Posts

Exploring Israel-Palestine through Movies: Part 1

The first part in a four-part series on what film can teach us about the relationship between Israel and Palestine.

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Simply Do it: Talking with Woody Allen About Directorial Style

An interview with Woody Allen about his new film, "Magic in the Moonlight."

Reveal Comments
comments powered by Disqus