In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_aprsjzadl6cggwjedxexw7kfnbc

Transcendence

"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.

Thumb_bears

Bears

"Bears" could have used a lot more science; more substantive information in the place of wacky one-liners. Still, the images trump everything.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives
Primary_grshsm-thumb-350x474-47254

"Helicopter." A film about his mother's death

From Ari Gold:

When I was twenty, my mother was killed in a helicopter crash with rock music promoter Bill Graham, whom she had recently begun dating after a nearly two-decades courtship. To many rock musicians and fans, Graham was a god; to my brother, my sister, and me, who hardly knew him, it seemed his death was so big it just took our mother with it.

"Helicopter" is a recreation of the emotional aftermath of sudden loss. Nothing could have prepared me for the loss of the person who knew me better than anyone in the world. Nothing could have prepared me for the absurdity of a "famous" death.

My sister Nina performed the voice of our mother, and my brilliant twin brother Ethan composed the music for the film, but, not wanting a documentary, I used actors (actually friends of mine) to play the three of us on film. The movie combines re-enacted scenes--and a few photos and videos from reality--with several kinds of animation which are close to how I actually experienced the truth.

I made "Helicopter" with so many different unreal elements in order to draw a chalk circle around a very personal event, in the hopes that by the last frame of the film, a viewer sees through the circle to his or her own life. I wasn't interested in presenting objective reality--I preferred the subjective reality of a young man, still wanting to talk to his mother about romantic troubles, who suddenly finds that his mother no longer exists. This is the reality of a person trying to comprehend death.

Finally, the film is about the way the mind can filter through any cacophony to find life's core, the one thing that matters: love.

Popular Blog Posts

Hashtag Activism and the #CancelColbert campaign

The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.

For the love of it: notes on the decline of Entertainment Weekly, the firing of Owen Gleiberman, and the ongoing end of an era

Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

Reveal Comments
comments powered by Disqus