Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have also turned a spotlight on America.
A day of grim films in which "Borgman" attempts Haneke-like surreal grimness and falls short, "The Missing Picture" and "Death March" turn artifice to their…
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam,…
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
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Russ loved to tell me, "Ebert, the damn films still play! Because he owned all his distribution rights, he knew they did. He had 35mm prints of his most successful titles constantly circulating, and believed "Beyond the Valley of the Dolls" could have become another "Rocky Horror" if Fox hadn't been ashamed of the X rating.
I think the one he was proudest of was "Faster Pussycat! Kill! Kill!" That was because it was made on his usual bargain basement budget, filmed with a small crew, and continued to be in demand. A few days before this appearance on Conan O'Brien, Russ called me and said, "Who else has a drive-in movie made in 1965 that they want him to talk about 35 years later on network TV, because it's still popular?"
My review of "Faster, Pussycat! Kill! Kill!" .
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While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have a...
A day of grim films in which "Borgman" attempts Haneke-like surreal grimness and falls short, "The Missing Picture" a...
Michał Oleszczyk
After duds "Jimmy P." and "Grand Central," the Coen brothers' "Inside Llewyn Davis" saves the day for Barbara Scharre...