In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_walk_among_the_tombstones

A Walk Among the Tombstones

Fans of the hardboiled detective, rejoice. Screenwriter-director Scott Frank and actor Liam Neeson, adapting the splendid work of crime novelist Lawrence Block, have brought a…

Thumb_zero_theorem_ver4

The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Movie Answer Man (05/07/1995)

Q. We saw "The Madness of King George" the other night. Pretty good. However, the first scene showed some heavy wooden doors. As the camera panned in you could read the graffiti carved on the doors. The most prominent was the date "1867." It bothered the heck out of me to start the movie with this obvious continuity issue. Was this a director's idea of a joke or an IQ test ? (John T. Bear, Atlanta, Ga.)

A. The scene was shot at Eton College, which is about 500 years old, and students have been carving graffiti on that door for all of that time, according to Nicholas Hytner, director of the film: "We didn't notice the date until we were editing the film. We couldn't go back and reshoot because the actors were unavailable and college was in full session. We were confident that the credit roll at the beginning of the film would obscure some of what couldn't be hidden by editing and filters."

Q. A credit is given to Elizabeth Stone in many of Oliver Stone's movies. She is called the "Naijo No Ko." What does that title refer to? (John L. Santoianni III)

A. The credit for Stone's former wife is a Japanese term that loosely translates as "spiritual advisor," according to Stone's assistant, Annie Mei-Ling.

Q. Some reviews say the screenplay for Steven Soderbergh's new movie "The Underneath" is by Sam Lowry and Daniel Fuchs. Others credit Soderbergh and Fuchs. Who wrote it? (Ronnie Barzell, Chicago)

A. The movie is based on a 1949 film noir named "Criss Cross," written by Daniel Fuchs. Soderbergh, who made substantial changes, did not want to share credit with the earlier screenplay. When the Writers' Guild insisted, he adopted the pseudonym "Sam Lowry," the name of the hero of "Brazil" (1985), a statistician played by Jonathan Pryce. The press kit for the movie says "Sam Lowry left his position with the Ministry of Information in order to pursue a film career."

Q. What movie originated that ubiquitous trailer music that is used for "Rob Roy," "A Few Good Men," and "Clear and Present Danger?" (Cliff W. Rives, Jacksonville, Fla.)

A. It's from the Alan Parker film "Come See the Paradise," according to Michael Zey of the CompuServe Showbiz Forum. Because ads and trailers are often finished before a movie has been scored, they often use music borrowed from earlier films, sometimes as a way to suggest a subtle link with established hits.

Q. What mystifies me is why the Academy of Motion Picture Arts and Sciences, of all organizations, still insists on using Panned and Scanned film clips on their awards programs. The Academy should be in the forefront of organizations educating the public on the benefits of letterboxing. (Gordon Meyer, North Hollywood, Ca.)

A. Excellent point. Clips on the Oscarcast which fill up the entire TV screen do so by eliminating the parts of the widescreen image that do not fit inside the narrower TV ratio. Directors should insist that their nominated films be shown in the letterbox format, displaying the full width of their original compositions. While they're at it, they might provide the Academy with new scenes from their films, instead of using the same tired old overexposed scenes that have been telecast repeatedly for months.

Popular Blog Posts

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

Scorsese Receives Golden Thumb at TIFF Ebert Tribute

A photo gallery offering snapshots from The Ebert Dinner at the 2014 Toronto International Film Festival.

Reveal Comments
comments powered by Disqus