Festivals & Awards
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
It’s way too early to guess what movie has the best odds of taking home the festival’s prestigious top prize. But that’s part of the fun.
It’s way too early to guess what movie has the best odds of taking home the festival’s prestigious top prize. But that’s part of the fun.
From Raging Bull to Killers of the Flower Moon, we salute a murderers’ row of award-worthy films.
The latest on Blu-ray and streaming, including Cocaine Bear, Creed III, Champions, 80 for Brady, and Criterion editions of Thelma & Louise and Wings of Desire.
An article spotlighting over twenty movie legends we lost in 2022.
Matt writes: A true icon of the silver screen, Ray Liotta, died on May 26th at age 67, leaving behind an extraordinary legacy of richly textured performances in both film and television. Though he never received an Oscar nomination, his co-stars who did benefitted immensely from acting opposite him. That is certainly true of Joe Pesci, whose brilliant Oscar-winning turn in Martin Scorsese's "Goodfellas" was enhanced immeasurably by the expressions of Liotta during their infamous restaurant scene.
RogerEbert.com contributor Glenn Kenny talks with editor-at-large Matt Zoller Seitz about Made Men, Kenny's book-length account of the making of Martin Scorsese's Goodfellas.
The latest on streaming and Blu-ray includes Bacurau, The Wild Goose Lake, and a Criterion edition of Marriage Story.
A piece on Robert De Niro, Harvey Keitel, and Joe Pesci, and what they've meant to the career of Martin Scorsese.
This year’s festival was one of the strongest I’ve ever witnessed.
Highly anticipated titles like Knives Out, Harriet, Jojo Rabbit, and A Hidden Life will be coming to the Chicago International Film Festival next month.
An overview of twelve films in the 2019 Venice Film Festival that get my thumbs-up vote.
A new movie called "No Escape" comes out next week, but there's a 20-year-old movie with the same name you may have forgotten.
Frank Mosley on "Her Wilderness"; "Goodfellas" is the perfect gangster film; "Ex Machina" and feminism; Amy Schumer on confidence; PTA's 5 types of father figures.
Is the director's explicit "The Canyons" the nadir of his career—or its climax?